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Cultural identity of Gori

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The second half of the 19th century was a special period for Georgia. Little by little, rigid old rules and regulations in urban spaces gave way to the formation of civil societies. Self-governments, community groups, and circles had all become a natural phenomenon throughout the Western world by this time. However, in Georgia, such developments had to withstand the clutches of the Russian Empire. Despite this, Gori has managed to develop and maintain a rich civic and cultural identity. In particular, the “Folk Movement” became the most popular people's organization. The people opposed the nobility and. Illegal printing presses were opened in the villages allowing the ideas of equality and social justice to spread. The Georgian “Folk Movement” originated in Gori where many other organizations appeared such as the Literary Circle of Mate Kereselidze known as "Kereselidze Kera," which fostered cultural dialogue and assisted students in need. On the initiative of Revaz Eristavi, the city club "Rotonda" was also built, in which educational, cultural, and charitable events were held Furthermore, The "Mandilosani" Society,” founded by 13 women, became active in helping women in need, both materially and morally. In the cultural life of Gori, civic figures emerged from all strata of society. In addition to political movements and clubs, the cultural life of Gori was also enriched by public holidays such as. Keenoba, Chona, Lazaroba, Chiakokona, and people's boxing It is also worth noting that group people from all religious and ethnic backgrounds partook in these celebrations. However, in the Soviet era, public holidays and civic movements vanished. Some were slowly disbanded or changed face, while others were outright banned by the Soviet government. Given the great strides Gori had made in the 19th century and the early part of the 20th, it is impossible not to wonder what might have been for Gori other cultural centers of Georgia were they given the opportunity to flourish freely in the 20th century.

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If you have any information, story or visuals concerning the historical or cultural identity of Gori and/or Shida Kartli region broadly, please get in touch with us.
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Back Cultural identity of Gori

The second half of the 19th century was a special period for Georgia. Little by little, rigid old rules and regulations in urban spaces gave way to the formation of civil societies. Self-governments, community groups, and circles had all become a natural phenomenon throughout the Western world by this time. However, in Georgia, such developments had to withstand the clutches of the Russian Empire. Despite this, Gori has managed to develop and maintain a rich civic and cultural identity. In particular, the “Folk Movement” became the most popular people's organization. The people opposed the nobility and. Illegal printing presses were opened in the villages allowing the ideas of equality and social justice to spread. The Georgian “Folk Movement” originated in Gori where many other organizations appeared such as the Literary Circle of Mate Kereselidze known as "Kereselidze Kera," which fostered cultural dialogue and assisted students in need. On the initiative of Revaz Eristavi, the city club "Rotonda" was also built, in which educational, cultural, and charitable events were held Furthermore, The "Mandilosani" Society,” founded by 13 women, became active in helping women in need, both materially and morally. In the cultural life of Gori, civic figures emerged from all strata of society. In addition to political movements and clubs, the cultural life of Gori was also enriched by public holidays such as. Keenoba, Chona, Lazaroba, Chiakokona, and people's boxing It is also worth noting that group people from all religious and ethnic backgrounds partook in these celebrations. However, in the Soviet era, public holidays and civic movements vanished. Some were slowly disbanded or changed face, while others were outright banned by the Soviet government. Given the great strides Gori had made in the 19th century and the early part of the 20th, it is impossible not to wonder what might have been for Gori other cultural centers of Georgia were they given the opportunity to flourish freely in the 20th century.

Tell Us More


If you have any information, story or visuals concerning the historical or cultural identity of Gori and/or Shida Kartli region broadly, please get in touch with us.
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The platform was created by IDFI.
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